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How To Change Your Voice In To Branden From Winx Club

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Italian-American animated television series

Winx Society
Winx Club CGI logo.png
Genre
  • Activeness[i]
  • Take chances[1]
  • Fantasy[1]
Created by Iginio Straffi
Directed past Iginio Straffi
Country of origin
  • Italy
  • United States (revived series)[2] [3]
Original languages
  • Italian
  • English (revived series)
No. of seasons 8
No. of episodes 208 (+ 4 hr-long specials) (list of episodes)
Production
Executive producers Joanne Lee
Kay Wilson Stallings
Running time 24 minutes
Production companies Rainbow (Paramount Global)
RAI
Nickelodeon (revived serial)
Benefactor Rainbow (Paramount Global)
Release
Original network RAI channels (Italia)
Nickelodeon (international)
Film format
  • PAL (original series)
  • HDTV 1080i (revived series)
Audio format Stereo (original series)
Dolby Surround v.1 (revived series)
Original release Original serial:
28 Jan 2004 (2004-01-28) – thirteen November 2009 (2009-11-13)
Revived series:
27 June 2011 (2011-06-27) –
17 September 2019 (2019-09-17)
Chronology
Related shows
  • World of Winx
  • Fate: The Winx Saga

Winx Social club is an animated series co-produced by Rainbow SpA and later Nickelodeon.[note 1] It was created by Iginio Straffi. The bear witness is gear up in a magical universe that is inhabited by fairies, witches, and other mythical creatures. The main grapheme is a fairy warrior named Bloom, who enrolls at Alfea College to train and strop her skills. The serial uses a serial format that has an ongoing storyline. It premiered on 28 January 2004, becoming a ratings success in Italia and on Nickelodeon networks internationally.

Iginio Straffi initially outlined the testify's plot to last 3 seasons. He chose to continue the story for a 4th season in 2009. Around this time, Winx Gild 's popularity attracted the attention of the American media company Viacom, owner of Nickelodeon. Viacom purchased 30% of the show's blitheness studio,[iv] RainbowSpA, and Nickelodeon began producing a revival serial. Production on the fifth, sixth, and 7th seasons was divided between Rainbow and Nickelodeon Blitheness Studio. To attract an American audition, Viacom assembled a vocalism cast of Nickelodeon actors (including Elizabeth Gillies and Ariana Grande), invested U.s.$100 million in ad for the series, and inducted Winx Order into Nickelodeon's franchise of Nicktoons.[5]

First in 2010, episodes of Winx Society have been jointly written with Nickelodeon's American team. Nickelodeon's writers aim to make the series multicultural and highly-seasoned toward viewers from different countries. In 2019, Straffi commented on his most-decade of collaboration with Nickelodeon, saying that "the know-how of Rainbow and the know-how of Nickelodeon are very complementary; the sensibilities of the Americans, with our European touch."[six] The continued partnership betwixt Rainbow and Nickelodeon on Winx Club has led to the development of more co-productions, including Lodge 57 in 2019, on which much of Winx Club 'due south staff worked.

The series was bailiwick to budget cuts in 2014, during its seventh season. The 3D estimator-generated segments and Hollywood phonation actors were deemed too costly to keep using. The seventh flavor somewhen premiered on Nickelodeon's worldwide channels in 2015. After a four-twelvemonth hiatus, an eighth flavour premiered in 2019. At Straffi'south determination, this season was retooled for a preschool target audience. Most of the prove's longtime crew members were not called back to work on flavor 8. Straffi stepped away from the serial at this time, shifting his focus to Social club 57 and other live-activeness projects. A live-activeness accommodation of Winx Society for young adults, titled Fate: The Winx Saga, premiered in 2021.[seven]

Premise [edit]

The main characters of Winx Club are girls who tin transform into fairy warriors.

The series follows the adventures of a group of girls known as the Winx, students at the Alfea College for Fairies, who turn into fairies to fight villains. The squad is made up of Bloom, the red-haired leader with fire-based powers; Stella, the fairy of the Sun; Flora, the fairy of nature; Tecna, the fairy of applied science; Musa, the fairy of music; and Aisha, the fairy of waves.[eight] The principal male person characters are chosen the Specialists, a grouping of students at the Ruby-red Fountain school who are also the Winx fairies' boyfriends. They include Blossom's fiancรฉ Sky; Stella's fiancรฉ Brandon; Flora's boyfriend Helia; Tecna's swain Timmy; and Musa's boyfriend Riven. Different their female person counterparts, the Specialists do not have magical powers and instead train how to fight using laser weapons. The Winx and Specialists' almost mutual adversaries are a trio of witches named the Trix: Icy, Darcy, and Stormy, all former students of the Cloud Tower school.

Winx Club is set in a vast universe that has several dimensions. Most episodes take place in the Magic Dimension, which is closed off to ordinary people and inhabited past creatures from European mythology like fairies, witches, and monsters. The capital of this globe is the metropolis of Magix—which is located on the planet of the same proper name—where the three principal magic schools are situated. The other planets of the Magic Dimension include Flower'southward home planet Domino, Stella's home planet Solaria, Flora's dwelling planet Lynphea, Tecna's home planet Zenith, Musa's home planet Melody, and Aisha's home planet Andros.[8] Some episodes take place on Globe, Roxy's home planet and where Bloom spent her childhood.[nine]

Episodes [edit]

Evolution [edit]

Concept and creation [edit]

Iginio Straffi, creator of Winx Gild

During the 1990s, comic artist Iginio Straffi noticed that almost action cartoons focused on male person heroes;[11] at the time, he felt that the "cartoon world was devoid of female characters."[12] Straffi hoped to introduce an alternative show with a female lead aged sixteen to 18, as he wanted to "explore the psychological side" of the transition to adulthood.[xiii] He decided to develop a airplane pilot centred on the conflict between two rival colleges; one for fairies and some other for witches.[xiv] Straffi compared his original premise to "a sort of 'Oxford–Cambridge rivalry' in a magical dimension".[15] In expanding the concept, Iginio Straffi drew his inspiration from Japanese manga[16] and the comics of Sergio Bonelli.[17]

Straffi's pilot, which was titled "Magic Blossom,"[xviii] featured the original v Winx members in attires like those of traditional European fairies.[xix] It was produced during a twelve-calendar month development period that included animation tests, character studies, and market place surveys.[20] The animation attracted the interest of Rai Fiction,[21] which paid for 25% of the product cost in exchange for Italian circulate rights and a share of the series' revenue over 15 years.[22] After holding test screenings of the pilot, nonetheless, Straffi was unhappy with the audience's unenthusiastic reaction to the characters' outdated clothing manner[19] and stated that the pilot did not satisfy him.[21] In a 2016 interview, Straffi said the result "looked like just another Japanese-fashion cartoon ... but nothing like [the mod] Winx ".[23] He likened his feelings about the pilot to an "existential crunch" and chose to scrap the entire test animation despite an investment of over €100,000 in the completed airplane pilot.[21]

To rework the concept, Straffi'south team hired Italian fashion designers to restyle the show and requite the characters a brighter, more modernistic appearance.[24] [25] Production of the restyled series began by 2002, and Rainbow estimated the episodes would be delivered to distributors by late 2003.[26] The new name of the series ("Winx") was derived from the English word "wings".[xi] Straffi's aim was to appeal to both genders, including action sequences designed for male viewers and way elements for female viewers.[26] [27] At the October 2003 MIPCOM upshot, Rainbow screened the show'due south start episode to international companies.[28] The first season had its globe premiere on Italian television channel Rai 2 on 28 January 2004.[29]

From the beginning of development, Iginio Straffi planned an overarching plot that would end after "a maximum" of 78 episodes.[30] Straffi stated that the Winx saga "would non final forever"[twenty] in 2007, and he intended the first movie (Winx Club: The Surreptitious of the Lost Kingdom) to resolve whatsoever plot points remaining from the 3rd-flavour finale.[thirty] In 2008, Straffi decided to extend the serial, citing its increasing popularity.[30]

Nickelodeon revival [edit]

Nickelodeon's Janice Burgess, who was the story editor and creative director on the revival.

In February 2011, the American visitor Viacom (owner of Nickelodeon) became a co-owner of the Rainbow studio; Viacom bought thirty% of Rainbow for 62 million euros (The states$83 million).[31] Viacom originally planned to buy out the entire Rainbow studio[32] but wanted to go along Iginio Straffi at the helm, leaving Straffi with 70%.[33] Coinciding with the purchase, Viacom announced that Nickelodeon would team up with the original creator on an "all-new Winx Lodge" revival series.[34] [35] Viacom financed and staffed the revived series, dividing production between Viacom's Nickelodeon Animation Studio[36] in the United States and Rainbow in Italian republic.

The revived series began with four special episodes that summarize the first two seasons of the original show,[37] followed past the 5th, 6th, and seventh seasons. As the product team was divided betwixt 2 countries, Nickelodeon released a statement commenting on how Winx Order was an unusual production for the company: "information technology's not our usual practise to co-produce cartoons; nosotros make them by ourselves. Just we strongly believe in Winx."[2] Forth with another brand revival (Teenage Mutant Ninja Turtles), Winx Lodge was officially inducted into Nickelodeon's franchise of Nicktoons,[5] a brand that encompasses original blithe productions created for the network. On each episode of the revived series, Nickelodeon approved scripts and all phases of animation.[38] Nickelodeon brought on some of its long-time staff members, such as creative director Janice Burgess, and writers Sascha Paladino, Adam Peltzman, and Carin Greenberg.[39]

On seven April 2014, Rainbow and Nickelodeon announced their continuing partnership on the seventh season of Winx Club, with a planned premiere appointment of 2015.[twoscore] Straffi said of the flavour: "It will be a privilege to partner once again with Nickelodeon on this."[40] During this season's production, Rainbow was undergoing a multimillion-euro financial loss due to the box office failure of its film Gladiators of Rome.[41] This fabricated them cut costs on Winx Club, its nearly expensive show. The CGI-animated segments and California vox cast from the previous 2 seasons were deemed too costly to continue using for flavour seven. As with the previous two seasons, the copyright to season 7 is co-owned by Rainbow and Viacom.[3] The first episode aired on 22 June 2015, on Nickelodeon in Asia,[42] followed by its American broadcast on the Nick Jr. channel on 10 January 2016.[43]

External video
video icon Interview clip of Winx Club creator Iginio Straffi in 2019, commenting on his continued work with Nickelodeon.

The president of Nickelodeon International, Pierluigi Gazzolo, was responsible for arranging the co-production partnership and became a member of Rainbow's board of directors (a role he continues to serve in, as of Nov 2019).[44] In addition to financing the television series, Viacom provided the resource necessary to produce a 3rd Winx moving-picture show.[45] In 2019, Iginio Straffi commented on the 2 studios' almost-decade of continued work together, saying that "the know-how of Rainbow and the know-how of Nickelodeon are very complementary; the sensibilities of the Americans, with our European touch on."[6] Winx Club opened the opportunity for Nickelodeon and Rainbow to collaborate on additional co-productions together, including various pilots from 2014 onward and Club 57 in 2019.[46]

Retooled eighth flavour [edit]

In the last x years, the animation audience has skewed younger. Present, it's very difficult to become a 10-year-onetime to watch cartoons ... when your target is 4-to-8, your story cannot have the aforementioned level of complexity as the beginning seasons of Winx, where we had a lot of layers ... The fans of the previous Winx Club say on social media that the new seasons are childish, simply they don't know that we had to do that.

—Iginio Straffi in 2019[6]

The eighth season of the series was non produced immediately after the seventh. It followed a multiple-year hiatus and was not made as a direct continuation of the previous flavour. At Iginio Straffi'south decision, Season 8 was heavily retooled to appeal to a preschool target audience.[6]

For season 8, Rainbow's creative squad restyled the characters to appear younger, hoping to increase the appeal toward preschoolers.[6] The plot lines were simplified so that they could be understood by a younger audience.[half dozen] Near of the show's longtime coiffure members were not called back to work on this season, including fine art director Simone Borselli, who had designed the series' characters from season one to vii, and vocaliser Elisa Rosselli, who had performed a bulk of the songs.[47] In another modify from previous seasons, Nickelodeon's American squad served every bit consultants rather than direct overseeing the episodes; at the time, Nickelodeon was instead working with Rainbow on a new co-product, Guild 57.[6] Season 8 was also the first-ever season without the involvement of Rai Fiction.[48]

Iginio Straffi made the decision to shift the show'southward intended audience later years of gradually aiming toward a younger demographic. In a 2019 interview,[6] Straffi explained that decreasing viewership from older viewers and an increased audition of young children fabricated this change a necessity. He elaborated that "the fans of the previous Winx Guild say on social media that the new seasons are childish, simply they don't know that we had to do that."[vi] Straffi stepped away from the series at this time and did non oversee season eight's production like he had for the previous installments. He instead shifted his focus to live-action projects aimed at older audiences: Nickelodeon'south Club 57 and Fate: The Winx Saga.[6] Straffi explained that "the things we had to tone down [in season 8] have been emphasized in the live activity–the relationships, the fights, the dear stories." He added that he hopes that Fate will satisfy the "twenty-year-olds who however similar to scout Winx."[6]

Product [edit]

Blueprint [edit]

A character table for Flora by fine art director Simone Borselli.

The series' visuals are a mixture of Japanese anime and European elements,[49] which Iginio Straffi calls "the trademark Rainbow style".[16] The main characters' final designs are based on Straffi'due south original sketches, which were modelled on celebrities pop at the turn of the 21st century. In a 2011 interview with IO Donna, Straffi stated that Britney Spears served equally an inspiration for Bloom, Cameron Diaz for Stella, Jennifer Lopez for Flora, Pink for Tecna, Lucy Liu for Musa, and Beyoncรฉ for Aisha.[50] This arroyo was role of Straffi'southward aim for the fairies to represent "the women of today."[12]

A team of specialized artists designs the characters' expressions and outfits for each season. Nearly 20 tables of expressions and positions from all angles are fatigued for each character.[14] The designers start to develop characters' costumes by creating collages from magazine clippings of recent style trends. Using these as references, they draw multiple outfits for each character.[51] Simone Borselli, the series' art director, designed nearly of the characters' early on-season vesture despite defective a groundwork in fashion design. When asked by an interviewer where his manner intuition came from, Borselli responded, "From being gay."[52]

Writing and animation [edit]

The first stage in the production of an episode is developing its script, a procedure that can terminal 5–six months.[53] When the series began production, the writers were based entirely in Italy. Afterwards Viacom became a co-possessor of Rainbow in 2011, Rainbow's grouping of thirty writers began collaborating with teams in both Italy and the The states.[51] The international coordination, which has continued through 2019,[51] intends to make scenarios depicted in the plan multicultural and accessible to viewers from unlike countries.[51] Episodes are written with two stories in heed: a longer narrative arc that lasts for tens of episodes and a subplot that concludes at the end of the 22-minute runtime.[54] This episode structure was modelled on those of teen dramas and American comics.[55] Themes written into the series include romance,[eight] the conquering of maturity upon reaching machismo,[56] and (in the fifth season) nature conservation.[50]

Later on the script and character designs have been approved, the screenplay is passed onto a group of storyboard artists. For each 22-minute episode, the artists prepare 450 pages of storyboards[51] which are used to gather an animatic. At this phase, dialogue and music are added to make up one's mind the length of each scene.[57] In the original series (seasons 1–4), the characters' mouths were animated to match the Italian vocalism actors' lines; in the revived serial, the rima oris movements were matched to the English scripts.[58] Episodes are worked on meantime because each requires effectually 2 years of work to complete.[51]

At the beginning of the commencement flavour, the production team worked from Rainbow'southward original headquarters in Recanati.[53] In 2006, Straffi opened a second studio in Rome for calculator-blithe projects.[59] During the fifth and sixth seasons, 3D CGI sequences were incorporated into the series for the start time, animated at the studio in Rome. According to the Rainbow CGI animators, the blitheness of the characters' hair in underwater scenes was especially difficult, and it was blithe separately from the characters.[57]

Casting [edit]

In Italy, the series' phonation actors include Letizia Ciampa (Bloom), Perla Liberatori (Stella), Ilaria Latini (Flora), Domitilla D'Amico (Tecna), Gemma Donati (Musa), and Laura Lenghi (Aisha). According to Ilaria Latini, the characters were cast before the character designs were finalized and the actors were shown black-and-white sketches of their roles.[60] The actors record their lines in Rome.[51] Seasons 1–iv were animated to match the Italian voices.[58] Starting with season 5, the animation was synchronized to friction match the English scripts.[58] [61]

The 2011 specials introduced a new cast of Hollywood vocalization actors. Iginio Straffi himself helped to cull the voices of the main characters, and the actors recorded their lines at the Atlas Oceanic studio in Burbank, California.[62] [63] Molly Quinn voiced the lead role of Bloom, and at first, she tried out a cartoony vocalisation for her character. Nickelodeon advised her to utilise her existent vocalisation instead, saying, "No, we want voices of existent girls this fourth dimension effectually."[64]

For the 2011 bandage, Viacom hired pop actors whose names were advertised on-air to attract American viewers; these stars included Ariana Grande equally Diaspro,[65] Elizabeth Gillies as Daphne, Keke Palmer equally Aisha, Matt Shively as Sky,[37] and Daniella Monet every bit Mitzi.[66] These actors provided voices for the first two Winx films and seasons three through half dozen. In 2014, Viacom relocated the series' English bandage to DuArt in New York City; this was washed as a cost-cutting and time-saving measure since Rainbow was undergoing a significant fiscal loss at the time. Despite the change in phonation actors, the series' blitheness continued to be matched to Nickelodeon and Rainbow's English scripts for the 7th season.[61]

Music [edit]

Original songs have been recorded in about forty languages for the bear witness.[24] Frequent composers for the program include Michele Bettali, Stefano Carrara, Fabrizio Castania, and Maurizio D'Aniello. One of Nickelodeon's composers, Emmy and Grammy Accolade recipient Peter Zizzo, joined the team during Nickelodeon's joint production of the fifth flavor. His music is featured in the fifth, sixth,[67] and seventh[68] seasons. Each vocal takes between five and twelve months to complete.[69] Many of the testify'south tracks are performed by Italian vocalizer Elisa Rosselli,[70] who started recording songs for Winx in 2007. Rosselli connected to produce music for the show (usually in collaboration with D'Aniello or Peter Zizzo from Nickelodeon)[69] until its 7th season.[70]

Nickelodeon created a few live-activeness music videos for Winx Club that were performed past stars from other Nick shows. Ane featured Elizabeth Gillies from Victorious (who also voiced Blossom'southward sister, Daphne) singing "We Are Believix."[71] This song was released every bit a stand up-alone single on iTunes. Some other music video featured Cymphonique Miller from How to Rock singing "Winx, Yous're Magic Now." Miller also did a live performance of her Winx song at Nickelodeon's upfront presentation in Las Vegas.[72]

Circulate [edit]

Winx Club first premiered on the Italian television channel Rai 2 on 28 Jan 2004. Reruns later aired on Rai Gulp, a sister aqueduct to Rai 2 aimed at children, shortly after the network launched in 2007. On two September 2010, Nickelodeon appear through a printing release that they would exist producing brand-new seasons with Rainbow.[35] Nickelodeon debuted four one-hour specials (too co-produced with Rainbow) summarizing the get-go two seasons, the starting time of which premiered on their flagship American channel on 27 June 2011.[37] With the exception of Italy, the 5th, sixth, and 7th seasons launched on Nickelodeon channels domestically and internationally.[35]

During the sixth season in 2014, episode premieres were moved from Rai 2 to Rai Gulp in Italy, and from Nickelodeon to Nick Jr. in the United States. The change to younger-skewing networks followed Rainbow's lowering of Winx Club 'due south target demographic to a younger audience than the earlier seasons.[6] The 7th flavor was jointly announced by Nickelodeon and Rainbow in Apr 2014 as part of their continuing partnership.[73] The 7th season fabricated its earth premiere on Nickelodeon Greece on 24 May 2015, and the English version debuted on Nickelodeon Asia on 22 June 2015.[42] Information technology after premiered on Rai Gulp in Italy (21 September 2015) and Nick Jr. in the United States (10 Jan 2016).

By 2014, the show had been aired in over 150 countries.[31] In 2019, after the Viacom-CBS merger declaration, Informa's Television Business International listed the show among the most important Viacom properties internationally.[74] Third-political party broadcasters that acquired the show included Cathay's CCTV,[75] Ireland'south TG4,[76] and 4Kids TV,[77] the last of which aired the series in the U.s. until their broadcast understanding was permanently revoked by Rainbow in 2009.[24] 4Kids censored and edited the original content in an endeavor at localization. Iginio Straffi criticized these adjustments in a 2008 interview, saying, "The Winx fairies cannot talk most boys there. I think this removes something essential."[78] Straffi wanted to launch the series in Japan, but he abandoned the idea due to the country's regulation that foreign content producers must pay for airtime.[24]

Reception [edit]

Ratings [edit]

Upon its debut, Winx Club was a ratings success. During its first season in 2004, the serial became one of the highest-rated programs on Rai two with an average audition share of 17%.[25] Among viewers 4–14 years old, the average share was 45%.[25] In French republic and Belgium, the flavour reached a 56% share among 10 to 14-yr-olds.[79] According to Rai in 2009, the gender mix of Winx Club 'due south audition was nigh equal across the first three seasons; in the target demographic of 4–14 years of age, females represented merely 3% more of the audition than males.[80] The premiere of the quaternary season gear up a tape for an animated show'southward audience on Rai ii with 500,000 viewers.[81] In 2007, Iginio Straffi noted that there were lower ratings in English-speaking territories than in Europe at the fourth dimension, which he surmised was due to cultural differences.[82]

On 27 June 2011, the first special produced with Nickelodeon premiered on Nick U.Due south. to ii.278 million viewers.[83] Each of the following three specials performed better than the previous ones, with the fourth ("The Shadow Phoenix") rating #1 in its time slot among viewers aged 2–11.[84] During the first quarter of 2012, an average of 38.5 1000000 viewers watched the series across nine of Nickelodeon'south international outlets, a 60% increase from the fourth quarter of 2011.[84] On Nickelodeon UK, Winx Club increased the network'southward ratings by 58% on its launch weekend in September 2011, ranking every bit the 2nd-well-nigh-popular program on the channel and the most pop show with females anile 7–xv.[85] As of 2021, Winx Club is still circulate daily on Nickelodeon UK's main network.[86]

Disquisitional response [edit]

In a New York Times article, Bocconi University professor Paola Dubini stated that the themes and characters of Winx Club appealed to both the target audience and their parents. Dubini wrote that the fairies' "defined and unlike personalities" made them relatable to viewers.[87] Common Sense Media reviewer Tara Swords gave the show a three-star review, calling information technology "an imaginative story with assuming, take-charge heroines" while likewise arguing that the show is hindered by its pattern elements.[88]

Winx Club has attracted academic interest for its presentation of gender roles. In the journal of Volgograd State Academy, Russian sociologists Georgiy Antonov and Elena Laktyukhina judged that female person characters in the series are depicted every bit dominant, while males are shown to be passive.[89] As examples of women adopting traditionally male roles, they listed the female fairies fighting for their boyfriends, saving them from enemies, and inviting them on dates, while at the aforementioned time having difficulty performing household duties like cooking and cleaning.[89] Writing for Kabardino-Balcarian State University, Zalina Dokhova and Tatiana Cheprakova stated that the serial conveys "both positive and negative stereotypes",[90] citing the opposite personalities of Stella and Aisha. They wrote that Stella's character incorporates stereotypically feminine passions for shopping and clothes, while Aisha represents a more realistic character with an interest in male person-dominated sports.[ninety]

Rhodes University professor Jeanne Prinsloo wrote in 2014 that Winx Club episodes "present complex narratives with active female person protagonists and positive relationships that validate 'girl power'".[91] In an interview with the newspaper Corriere della Sera, psychotherapist Gianna Schelotto highlighted positive aspects of the show, like friendship, guiding female viewers "away from supermodels to which the commercial earth drags them".[92] IlSole 24 Ore also wrote positively about the prove'southward feminist themes, commending how the characters "expose egotistic masculinity".[93]

The characters' outfits caused some controversy in June 2017, when the Islamic republic of pakistan Electronic Media Regulatory Authority (PEMRA) fined Nickelodeon's Pakistani channel after it aired an episode where the Winx are shown in swimsuits.[94]

Cultural affect [edit]

Cosplay of the graphic symbol Roxy in 2014

Winx Gild has been popular at fan conventions. For example, in 2012 and 2013, the series had a large presence at Nickelodeon's San Diego Comic-Con booth, where new collectibles were raffled off to fans.[95] Nickelodeon fabricated ii exclusive dolls for the 2012 event (a silver Bloom and a golden Bloom)[96] and ii more for 2013 (Daphne in her nymph class and Bloom in her Harmonix course).[97] In 2015, a four-twenty-four hours Winx Gild fan gathering was held in Jesolo,[98] where Nickelodeon installed a "Fan Wall" to display letters from worldwide fans.[99] In October 2018, an exhibition for the series' fifteenth anniversary was held at Europe'south largest comics festival, the Lucca Comics & Games convention in Tuscany.[100]

Federico Vercellino of Il Sole 24 Ore described the series as "a destructive and constructive phenomenon"[93] that introduced viewers to feminist stories about rebellious female characters.[93] A 2019 written report conducted for the Corriere della Sera reported that Winx Gild was the fourth-about-pop Italian series outside of the country, with strong demand in Russian federation and the Usa.[101]

In 2018, Giovanna Gallo of Cosmopolitan stated that the program'due south characters accept get "real icons of fashion" and noted the prove's popularity with cosplayers,[102] performance artists who wear costumes and accessories to represent the prove's characters. Winx Club costumes were the focus of a second-flavour episode of The Apprentice, in which Flavio Briatore challenged the testify's teams to create three Winx outfits intended for females 25–35 years of age, which were to be submitted to the judgment of Iginio Straffi.[103] la Repubblica 's Marina Amaduzzi attributed the popularity of Winx-inspired manner to fans' desire to emulate the characters, stating that "Winx fanatics apparel, move and breathe like their heroines".[104]

The Regional Quango of Marche, Italia, chose the Winx Lodge fairies to represent Marche and Italy at the Expo 2010 world'south fair in Shanghai.[105] A four-infinitesimal video using stereoscopic technology showing the Winx in Marche's tourist destinations was blithe for the Italian Pavilion.[105] In 2015, Italian Prime Minister Matteo Renzi visited Rainbow'southward studio and wrote that "the Winx are a beautiful story of Italian talent".[106]

Lawsuit [edit]

In April 2004,[107] The Walt Disney Visitor filed an unsuccessful copyright infringement lawsuit against Rainbow.[107] The company accused Rainbow of copying the Winx Club concept from its W.I.T.C.H. comic book,[107] which was published over a twelvemonth after product on Winx Club began.[108] Disney practical for an injunction order to halt the further release of the Winx Club series and comic magazine; to declare the Winx Guild trademark invalid; and to seize the journal and film fabric bearing the allegedly infringing Winx Guild name.[107] Rainbow won the instance against Disney, and the judge alleged in that location were no confusing similarities between the two.[107] Straffi mentioned that the Winx Order pilot entered production past 2000, while the Westward.I.T.C.H. comic was not released until May 2001.[108] [109] On 2 Baronial 2004,[110] all of Disney's infringement claims were rejected by the Tribunale di Bologna's Specialized Commercial Matters Department,[107] which accounted them unfounded.[107] The suit later became the bailiwick of a commercial police seminar at the University of Macerata in 2009.[110]

In 2005, Iginio Straffi was interviewed in IO Donna virtually the legal battle.[108] He was asked how it felt "to be ane of Disney'south almost hated people,"[108] and answered that he—every bit the founder of a small animation studio—was glad to have "defeated" a massive conglomerate.[108] "I feel a sure pride in having annoyed such a giant. It's inspiring," he elaborated.[108] Equally a result of the lawsuit, Straffi has avoided doing any business with the Disney corporation; he commented in 2014, "They've lost the gamble to explore our inventiveness."[111]

[edit]

Films [edit]

Dancers portraying the Winx Club attend the Rome Picture Fest premiere of The Secret of the Lost Kingdom

The Underground of the Lost Kingdom [edit]

On 8 October 2006, a Winx Guild characteristic moving picture was announced on Rainbow's website. The Secret of the Lost Kingdom was released in Italy on 30 Nov 2007.[112] Its telly premiere was on 11 March 2012 on Nickelodeon in the United States.[113] The plot takes identify later the events of the first three seasons, post-obit Bloom equally she searches for her nativity parents and fights the Ancestral Witches who destroyed her habitation planet. Iginio Straffi had planned this feature-length story since the offset of the series' development.[8]

Magical Adventure [edit]

On 9 November 2009, a sequel flick was announced.[114] Winx Guild 3D: Magical Take chances was released in Italy on 29 October 2010.[115] Its tv set premiere was on 20 May 2013, on Nickelodeon in the United States.[116] In the film, Sky proposes to Blossom, simply Sky's father does not corroborate of their union.[114] Production on Magical Adventure began in 2007, while the beginning movie was nonetheless in development.[115] Information technology is the first Italian film animated in stereoscopic 3D.[117]

On Feb 19, 2013, Nickelodeon held a special screening of the movie at the TCL Chinese Theatre in Hollywood.[118] Nickelodeon star Daniella Monet[119] (who voiced Blossom'due south rival, Mitzi, on the prove) and creator Iginio Straffi[120] both attended the premiere.

The Mystery of the Abyss [edit]

In belatedly 2010, it was announced that Viacom (the owner of Nickelodeon and eventual co-owner of Rainbow) would provide the resource necessary to produce a new Winx motion-picture show.[45] The film, titled Winx Club: The Mystery of the Completeness, was released in Italia on 4 September 2014.[121] It made its tv premiere on Nickelodeon Federal republic of germany on 8 Baronial 2015.[122] The plot follows the Winx venturing through the Space Ocean to rescue Heaven, who has been imprisoned by the Trix. Co-ordinate to Iginio Straffi, the film has a more than comedic tone than the previous two films.[121]

Spin-offs [edit]

PopPixie is a miniseries that ran for a single season over ii months in 2011. Information technology features chibi-inspired Pixie characters who were start introduced in the 2nd season of Winx Club. After Nickelodeon became a co-programmer of the main serial, it was announced that PopPixie would air on Nickelodeon'south global network of channels first in late 2011.[123]

Earth of Winx is a spin-off serial that premiered in 2016; Straffi described information technology as one "with more than developed graphics, a kind of story better suited to an older audience"[124] than the original series. It features the Winx travelling to Globe on an underground mission to runway down a kidnapper known as the Talent Thief.[125] 26 episodes over two seasons were produced.[126]

Netflix live-activity adaptation [edit]

In 2018, a live-action adaptation aimed at immature adults was announced.[127] Filming began in September 2019, with Abigail Cowen starring equally Blossom.[128] The series made its world premiere on 22 January 2021, following a teaser released on 10 Dec 2020.[7]

The writers of Fate: The Winx Saga were entirely new to the Winx franchise, and they were recruited from teen dramas like The Vampire Diaries.[129] Early in production, Nickelodeon's American crew members from the drawing (including Bloom's voice actress, Molly Quinn)[130] met with the Fate production squad and reviewed the pilot script.[130] Rainbow's Joanne Lee also oversaw the evidence as an executive producer.

Other live events [edit]

In September 2005, a alive phase musical called "Winx Power Evidence" began touring in Italy.[131] The musical subsequently expanded to other European countries[131] and the prove's cast performed at the 2007 Nickelodeon Kids' Choice Awards in Milan.[132] An water ice bear witness follow-up starring Carolina Kostner was launched in November 2008.[133] In Oct 2012, Nickelodeon held a alive event at the Odeon Cinema Covent Garden, consummate with a "pink carpeting" and previews of upcoming episodes.[134]

Merchandise [edit]

Iginio Straffi opened up to licensing Winx Society merchandise in gild to finance his studio's other projects;[135] in 2008, he stated that he reinvests "almost everything" back into Rainbow.[13] Across the testify's first ten years on air, more than 6,000[31] pieces of tie-in merchandise were released by external licensing companies.[136] Every bit of 2014, Winx Guild merchandise licenses generated effectually €50 million annually,[137] with most of the revenue going toward product licensees rather than Rainbow itself.[31] According to a VideoAge International commodity, Rainbow'southward have from merchandise sales averages x percentage, with some deals but giving the studio five percent.[31]

Afterwards Viacom became a co-owner of Rainbow in 2011, Nickelodeon & Viacom Consumer Products started to create merchandise for the prove. From 2011 to 2013, Nickelodeon spent US$100 meg [138] on a Winx Club marketing campaign to promote both the testify and the tie-in products. Nickelodeon partnered with Jakks Pacific to blueprint dolls based on new episodes,[ane] and in the Great britain, the merchandise sold out before those episodes had even premiered. Nickelodeon'due south vice president of consumer products, Michael Connolly, said that "Winx has been a huge surprise, considering the programme is not on free-to-air in the Great britain. Nosotros put toys in Argos [stores] and in just three days we experienced sales for a doll range unlike we've seen."[139]

An ongoing comic book series has been published since the series' premiere.[140] Over 210 Italian issues have been released as of 2021. In the United States, Viz Media translated a few of the first 88 issues and released them across nine volumes.[141] Other necktie-in books have been produced, starting with character guides distributed by Giunti Editore.[140] In 2012, Nickelodeon partnered with Random Business firm to publish Winx Social club books in English.[142]

Games [edit]

Several video games based on the show have been made, with some sectional to Europe. The starting time game was Konami Europe'southward Winx Club in 2005.[143] In 2012, Nickelodeon launched Winx Club: Magical Fairy Political party for the Nintendo DS in both the United States and Europe.[144] The Nickelodeon game was notable for beingness one of very few Nintendo DS titles to exist played sideways, with the game arrangement held like a book.[145] A physical trading card game based on the franchise and produced by Upper Deck Entertainment was released in 2005.[146]

Nickelodeon'southward website, Nick.com, created diverse Flash games based on the show. The Winx Club section on Nick.com became one of the most-visited pages on the site, with 1 million monthly visitors in mid-2013 and over 2.half-dozen meg gaming sessions.[66]

Notes [edit]

  1. ^ In 2011, Viacom (owner of Nickelodeon) became a co-possessor of the Rainbow studio.[33] Afterward, Winx Club became a co-product betwixt Viacom's Nickelodeon Animation Studio in the U.S. and Rainbow in Italy.[2] [36]
  1. ^ a b c d The specials and seasonsv-seven were co-adult with Nickelodeon and premiered on Nickelodeon networks ahead of the Italian broadcasts. Flavour5 premiered on Nick U.South. on 26 August 2012, seasonvi premiered on Nick U.S. on 29 September 2013, and flavor7 premiered on Nick Asia on 22 June 2015.

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  138. ^ Lisanti, Tony (24 September 2012). "Turtle ability". License! Global. Archived from the original on 3 November 2012.
  139. ^ a b "Le Winx in edicola e in libreria". FantasyMagazine. 28 February 2004.
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  141. ^ "Random House Announces New Publishing Partnership with Nickelodeon" (Press release). Random House. xx Apr 2012. Archived from the original on 20 August 2019.
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  143. ^ McCleary-Harris, Sierra (20 September 2012). "D3Publisher, Nickelodeon To Release New Games for Holiday Season". The Toybook.
  144. ^ Zay, Kayla (21 December 2012). "Winx Order: Magical Fairy Party enlightens young fashionistas (review)". The Denver Postal service. Archived from the original on 12 May 2013.
  145. ^ "The Upper Deck Company Announces New Entertainment Products for 2005 Season". Upper Deck Entertainment. 17 February 2005. Archived from the original on 14 May 2005.

External links [edit]

  • Official website
  • Winx Club at Nick.com
  • Winx Social club at NickAnimationStudio.com
  • Winx Social club at IMDb

How To Change Your Voice In To Branden From Winx Club,

Source: https://en.wikipedia.org/wiki/Winx_Club

Posted by: baileypludenis.blogspot.com

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